Stress and fatigue in sound engineers: the effect of broadcasting in a life show and shift work
Language English Country Czech Republic Media print
Document type Journal Article
PubMed
18661812
DOI
10.21101/cejph.a3457
Knihovny.cz E-resources
- MeSH
- Circadian Rhythm MeSH
- Dyssomnias metabolism physiopathology MeSH
- Mass Media MeSH
- Hydrocortisone metabolism MeSH
- Middle Aged MeSH
- Humans MeSH
- Occupational Diseases metabolism physiopathology MeSH
- Personnel Staffing and Scheduling MeSH
- Stress, Psychological metabolism physiopathology MeSH
- Saliva chemistry MeSH
- Fatigue metabolism physiopathology MeSH
- Work Schedule Tolerance MeSH
- Check Tag
- Middle Aged MeSH
- Humans MeSH
- Publication type
- Journal Article MeSH
- Names of Substances
- Hydrocortisone MeSH
The aim was to study the time-of-day variations of cortisol, fatigue and sleep disturbances in sound engineers in relation to job task and shift work. The concentration of saliva cortisol and feeling of stress, sleepiness and fatigue were followed at three hour intervals in 21 sound engineers: 13 sound engineers, aged 45.1 +/- 7.3 years, broadcasting in a life show during fast forward rotating shifts and 8 sound engineers, aged 47.1 +/- 9.8 years, making records in a studio during fast rotating day shifts. Cortisol concentration was assessed in saliva with radioimmunological kits. The participants reported for stress symptoms during the shifts and filled sleep diary. The data were analyzed by tests of between-subjects effects (SPSS). A trend for higher cortisol was found with the group broadcasting in a life show. The sound engineers broadcasting in a life show reported higher scores of stress, sleepiness and fatigue, but no significant differences concerning the sleep disturbances between the groups were found. In conclusion our data show moderate level of stress and fatigue with the studied sound engineers, higher with the subjects broadcasting in a life show. The quality of sleep showed no significant differences between the studied groups, an indication that the sound engineers were able to tolerate the fast forward rotating shifts.