Human vocal tract resonances and the corresponding mode shapes investigated by three-dimensional finite-element modelling based on CT measurement
Language English Country England, Great Britain Media print-electronic
Document type Journal Article, Research Support, Non-U.S. Gov't
- Keywords
- Acoustic mode shapes of vibration, biomechanics of human voice, speaker's and singer's formant, voice production modelling,
- MeSH
- Speech Acoustics * MeSH
- Acoustics MeSH
- Finite Element Analysis MeSH
- Models, Anatomic * MeSH
- Models, Biological * MeSH
- Biomechanical Phenomena MeSH
- Time Factors MeSH
- Phonation * MeSH
- Glottis diagnostic imaging physiology MeSH
- Voice Quality * MeSH
- Humans MeSH
- Speech Production Measurement MeSH
- Numerical Analysis, Computer-Assisted MeSH
- Tomography, X-Ray Computed * MeSH
- Computer Simulation * MeSH
- Radiographic Image Interpretation, Computer-Assisted MeSH
- Pressure MeSH
- Vibration MeSH
- Sound Spectrography MeSH
- Check Tag
- Humans MeSH
- Female MeSH
- Publication type
- Journal Article MeSH
- Research Support, Non-U.S. Gov't MeSH
Resonance frequencies of the vocal tract have traditionally been modelled using one-dimensional models. These cannot accurately represent the events in the frequency region of the formant cluster around 2.5-4.5 kHz, however. Here, the vocal tract resonance frequencies and their mode shapes are studied using a three-dimensional finite element model obtained from computed tomography measurements of a subject phonating on vowel [a:]. Instead of the traditional five, up to eight resonance frequencies of the vocal tract were found below the prominent antiresonance around 4.7 kHz. The three extra resonances were found to correspond to modes which were axially asymmetric and involved the piriform sinuses, valleculae, and transverse vibrations in the oral cavity. The results therefore suggest that the phenomenon of speaker's and singer's formant clustering may be more complex than originally thought.
References provided by Crossref.org
Application of nonlinear dynamics theory to understanding normal and pathologic voices in humans
Toward a consensus on symbolic notation of harmonics, resonances, and formants in vocalization