Symmetric in the striate but asymmetric in the extrastriate cortex when processing three-quarter faces: Neural underpinnings for aesthetic appreciations

. 2022 Oct ; 11 (5) : 720-728. [epub] 20220331

Jazyk angličtina Země Austrálie Médium print-electronic

Typ dokumentu časopisecké články

Perzistentní odkaz   https://www.medvik.cz/link/pmid35359029

Grantová podpora
Hanns-Seidel Foundation
31371018 National Natural Science Foundation of China
31771213 National Natural Science Foundation of China
Parmenides Foundation

Faces and their aesthetic appreciation are a core element of social interaction. Although studies have been made on facial processing when looking at faces with different perspectives, a direct comparison of faces in the left to the right perspective is missing. Portraits in classical Western art indicate a preference of the left compared to the right perspective, but the neural underpinnings of such an asymmetry still have to be clarified. Using functional magnetic resonance imaging, the current study focuses on the processing of three-quarter faces seen with different perspectives. Seventeen participants were asked to passively look at photographs of six male and six female faces with a neutral expression; the photographs were taken from the left, right, and frontal perspectives while keeping their focus on the eyes. The results showed that specific brain areas were involved in processing the three-quarter faces in either symmetric or asymmetric ways. Viewing left and right three-quarter faces resulted in two mirror-like activations in the striate cortex corresponding to the symmetric layout of the left and right perspectives. Viewing the left face resulted additionally in an enhanced activation also in the left extrastriate cortex. The right perspective of male faces elicited a lower activation compared to other perspectives in face-selective areas of the brain. Our findings suggest that the preference of the left three-quarter face emerges already in the early visual pathway presumably prior to facial identification, emotional processing, and aesthetic appreciation. Our observations may have general importance in disentangling different neural components and processing stages in the spatiotemporal characteristics of artistic expressions.

Zobrazit více v PubMed

Arnold, G., Bécue, J. C., & Siéroff, E. (2013). Left-view sequences of faces are superior to right-view ones for view generalization. Visual Cognition, 21(6), 752-765. https://doi.org/10.1080/13506285.2013.823137

Bao, Y., Szymaszek, A., Wang, X., Oron, A., Pöppel, E., & Szelag, E. (2013). Temporal order perception of auditory stimuli is selectively modified by tonal and non-tonal language environments. Cognition, 129(3), 579-585. https://doi.org/10.1016/j.cognition.2013.08.019

Bao, Y., von Stosch, A., Park, M., & Pöppel, E. (2017a). Complementarity as generative principle: A thought pattern for aesthetic appreciations and cognitive appraisals in general. Frontiers in Psychology, 8, 727. https://doi.org/10.3389/fpsyg.2017.00727

Bao, Y., Yang, T., Lin, X., Fang, Y., Wang, Y., Pöppel, E., & Lei, Q. (2016). Aesthetic preferences for eastern and Western traditional visual art: Identity matters. Frontiers in Psychology, 7(OCT), 1596. https://doi.org/10.3389/FPSYG.2016.01596/BIBTEX

Bao, Y., Yang, T., Zhang, J. J., Zhang, J. J., Lin, X., Paolini, M., … Silveira, S. (2017b). The “third abstraction” of the Chinese artist LaoZhu: Neural and behavioral indicators of aesthetic appreciation. PsyCh Journal, 6(2), 110-119. https://doi.org/10.1002/pchj.167

Barton, J. J. S., Press, D. Z., Keenan, J. P., & O'Connor, M. (2002). Lesions of the fusiform face area impair perception of facial configuration in prosopagnosia. Neurology, 58(1), 71-78. https://doi.org/10.1212/WNL.58.1.71

Bennett, H. L., Delmonico, R. L., & Bond, C. F. (1987). Expressive and perceptual asymmetries of the resting face. Neuropsychologia, 25(4), 681-687. https://doi.org/10.1016/0028-3932(87)90059-5

Bindemann, M., Scheepers, C., & Burton, A. M. (2009). Viewpoint and center of gravity affect eye movements to human faces. Journal of Vision, 9(2), 7-7, 716. https://doi.org/10.1167/9.2.7

Blackburn, K., & Schirillo, J. (2012). Emotive hemispheric differences measured in real-life portraits using pupil diameter and subjective aesthetic preferences. Experimental Brain Research, 219(4), 447-455. https://doi.org/10.1007/s00221-012-3091-y

Borod, J. C., Haywood, C. S., & Koff, E. (1997). Neuropsychological aspects of facial asymmetry during emotional expression: A review of the normal adult literature. Neuropsychology Review, 7(1), 41-60. https://doi.org/10.1007/BF02876972

Bowers, D., & Heilman, K. M. (1980). Pseudoneglect: Effects of hemispace on a tactile line bisection task. Neuropsychologia, 18(4-5), 491-498. https://doi.org/10.1016/0028-3932(80)90151-7

Brett, M., Jean-Luc, A., Romain, V. & Jean-Baptiste, P. (2002). Region of interest analysis using an SPM toolbox. The 8th international conference on functional mapping of the human brain, Sendai, Japan, 16(2), 497.

Bruno, N., Bode, C., & Bertamini, M. (2017). Composition in portraits: Selfies and wefies reveal similar biases in untrained modern youths and ancient masters*. Laterality, 22(3), 279-293. https://doi.org/10.1080/1357650X.2016.1185108

Chen, S., Cai, M., & Bao, Y. (2020). The two- to three-second time window of shot durations in movies. PsyCh Journal, 9(4), 516-518. https://doi.org/10.1002/PCHJ.384

Dimberg, U., & Petterson, M. (2000). Facial reactions to happy and angry facial expressions: Evidence for right hemisphere dominance. Psychophysiology, 37(5), 693-696. https://doi.org/10.1111/1469-8986.3750693

Duvernoy, H. (2005). Brain anatomy. In Kuzniecky R. I., & Jackson G. D. (Eds.), Magnetic Resonance in Epilepsy pp. (29-97). Elsevier Inc. https://doi.org/10.1016/B978-012431152-7/50007-0

Ewbank, M. P., Smith, W. A. P., Hancock, E. R., & Andrews, T. J. (2008). The M170 reflects a viewpoint-dependent representation for both familiar and unfamiliar faces. Cerebral Cortex, 18(2), 364-370. https://doi.org/10.1093/cercor/bhm060

Fang, F., Murray, S. O., & He, S. (2007). Duration-dependent fMRI adaptation and distributed viewer-centered face representation in human visual cortex. Cerebral Cortex, 17(6), 1402-1411. https://doi.org/10.1093/cercor/bhl053

Grill-Spector, K., Weiner, K. S., Kay, K., & Gomez, J. (2017). The functional neuroanatomy of human face perception.

Grüsser O. J., Selke, T., & Zynda, B. (1988). Cerebral Lateralization and Some Implications for Art, Aesthetic Perception, and Artistic Creativity. In Rentschler I., Herzberger B., & Epstein D. (Eds.), Beauty and the brain. Birkhäuser: Basel. https://doi.org/10.1007/978-3-0348-6350-6_12

Harvey, D. Y., & Burgund, E. D. (2012). Neural adaptation across viewpoint and exemplar in fusiform cortex. Brain and Cognition, 80(1), 33-44. https://doi.org/10.1016/J.BANDC.2012.04.009

Heilman, K. M., Valenstein, E., & Watson, R. T. (2008). Neglect and related disorders. Seminars in Neurology, 4(02), 209-219. https://doi.org/10.1055/S-2008-1041551

Heller, W., & Levy, J. (1981). Perception and expression of emotion in right-handers and left-handers. Neuropsychologia, 19(2), 263-272. https://doi.org/10.1016/0028-3932(81)90110-X

Kowatari, Y., Yamamoto, M., Takahashi, T., Kansaku, K., Kitazawa, S., Ueno, S., & Yamane, S. (2004). Dominance of the left oblique view in activating the cortical network for face recognition. Neuroscience Research, 50(4), 475-480. https://doi.org/10.1016/j.neures.2004.08.014

Krouse, F. L. (1981). Effects of pose, pose change, and delay on face recognition performance. Journal of Applied Psychology, 66(5), 651-654. https://doi.org/10.1037/0021-9010.66.5.651

Laeng, B., & Rouw, R. (2001). Canonical views of faces and the cerebral hemispheres. Laterality: Asymmetries of Body, Brain and Cognition, 6(3), 193-224. https://doi.org/10.1080/713754410

Leopold, D. A., & Rhodes, G. (2010). A comparative view of face perception. Journal of Comparative Psychology, 124(3), 233-251. https://doi.org/10.1037/a0019460

Lindell, A. K. (2017). Consistently showing your best side? Intra-individual consistency in #selfie pose orientation. Frontiers in Psychology, 8, 246. https://doi.org/10.3389/fpsyg.2017.00246

Lutz, A., Nassehi, A., Bao, Y., Pöppel, E., Sztrókay, A., Reiser, M., … Gutyrchik, E. (2013). Neurocognitive processing of body representations in artistic and photographic images. NeuroImage, 66, 288-292. https://doi.org/10.1016/J.NEUROIMAGE.2012.10.067

McManus, I. C., & Humphrey, N. K. (1973). Turning the left cheek. Nature, 243(5405), 271-272. https://doi.org/10.1038/243271a0

Nicholls, M. E. R., Hobson, A., Petty, J., Churches, O., & Thomas, N. A. (2017). The effect of cerebral asymmetries and eye scanning on pseudoneglect for a visual search task. Brain and Cognition, 111, 134-143. https://doi.org/10.1016/J.BANDC.2016.11.006

Oldfield, R. C. (1971). The assessment and analysis of handedness: The Edinburgh inventory. Neuropsychologia, 9(1), 97-113. https://doi.org/10.1016/0028-3932(71)90067-4

Park, M., Gutyrchik, E., Welker, L., Carl, P., Pöppel, E., Zaytseva, Y., … Bao, Y. (2015). Sadness is unique: Neural processing of emotions in speech prosody in musicians and non-musicians. Frontiers in Human Neuroscience, 8(JAN), 1049. https://doi.org/10.3389/FNHUM.2014.01049/BIBTEX

Pourtois, G., Schwartz, S., Spiridon, M., Martuzzi, R., & Vuilleumier, P. (2009). Object representations for multiple visual categories overlap in lateral occipital and medial fusiform cortex. Cerebral Cortex, 19(8), 1806-1819. https://doi.org/10.1093/CERCOR/BHN210

Powell, W. R., & Schirillo, J. A. (2009). Asymmetrical facial expressions in portraits and hemispheric laterality: A literature review. Laterality, 14, 545-572. https://doi.org/10.1080/13576500802680336

Rentschler, I., Herzberger, B., & Epstein, D. (1988). Beauty and the brain: Biological aspects of aesthetics. Birkhäuser Verlag.

Rossion, B. (2008). Constraining the cortical face network by neuroimaging studies of acquired prosopagnosia. NeuroImage, 40(2), 423-426. https://doi.org/10.1016/J.NEUROIMAGE.2007.10.047

Rossion, B. (2013). The composite face illusion: A whole window into our understanding of holistic face perception. Visual Cognition, 21(2), 139-253. https://doi.org/10.1080/13506285.2013.772929

Siéroff, E. (2001). Feature processing and superiority of three-quarter views in face recognition. Brain and Cognition, 46(1-2), 272-276.

Stoerig, P., Sütterlin, C., & Pöppel, E. (1983). Rechts und links in bildwerken: Ein neuropsychologischer beitrag zum kunstverständnis.(left and right in artwork. A neuropsychological contribution to the understanding of art). Umschau in Wissenschaft und Technik, 83, 427-428.

Sütterlin, C., & Yu, X. (2021). Aristotle's dream: Evolutionary and neural aspects of aesthetic communication in the arts. PsyCh Journal, 10(2), 224-243. https://doi.org/10.1002/PCHJ.416

Troje, N. F., & Bülthoff, H. H. (1996). Face recognition under varying poses: The role of texture and shape. Vision Research, 36(12), 1761-1771. https://doi.org/10.1016/0042-6989(95)00230-8

Tzourio-Mazoyer, N., Landeau, B., Papathanassiou, D., Crivello, F., Etard, O., Delcroix, N., … Joliot, M. (2002). Automated anatomical labeling of activations in SPM using a macroscopic anatomical parcellation of the MNI MRI single-subject brain. NeuroImage, 15(1), 273-289. https://doi.org/10.1006/nimg.2001.0978

Wang, X., & Bao, Y. (2020). Rembrandt portraits: Implicitly detecting the original perspective. PsyCh Journal, 9(4), 513-515. https://doi.org/10.1002/PCHJ.376

Wang, X., Simmank, F., Zhang, D., Zeng, Y., Silveira, S., Sander, T., Bao, Y., & Paolini, M. (2020). Aesthetics as a common denominator for moral and commercial judgments. PsyCh Journal., 10, 187-189. https://doi.org/10.1002/PCHJ.407

Weibert, K., & Andrews, T. J. (2015). Activity in the right fusiform face area predicts the behavioural advantage for the perception of familiar faces. Neuropsychologia, 75, 588-596. https://doi.org/10.1016/J.NEUROPSYCHOLOGIA.2015.07.015

Werth, R., & Pöppel, E. (1988). Compression and lateral shift of mental coordinate systems in a line bisection task. Neuropsychologia, 26(5), 741-745. https://doi.org/10.1016/0028-3932(88)90010-3

Yamamoto, M., Kowatari, Y., Ueno, S., Yamane, S., & Kitazawa, S. (2005). Accelerated recognition of left oblique views of faces. Experimental Brain Research, 161(1), 27-33. https://doi.org/10.1007/s00221-004-2041-8

Yang, T., Silveira, S., Formuli, A., Paolini, M., Pöppel, E., Sander, T., & Bao, Y. (2019). Aesthetic experiences across cultures: Neural correlates when viewing traditional eastern or western landscape paintings. Frontiers in Psychology, 10(MAR), 798. https://doi.org/10.3389/FPSYG.2019.00798/BIBTEX

Young, A. W., & Burton, A. M. (2018). Are we face experts? Trends in Cognitive Sciences, 22(2), 100-110. https://doi.org/10.1016/j.tics.2017.11.007

Yu, X., & Bao, Y. (2020). The three second time window in poems and language processing in general: Complementarity of discrete timing and temporal continuity. PsyCh Journal, 9(4), 429-443. https://doi.org/10.1002/PCHJ.390

Zaytseva, Y., Gutyrchik, E., Bao, Y., Pöppel, E., Han, S., Northoff, G., … Blautzik, J. (2014). Self processing in the brain: A paradigmatic fMRI case study with a professional singer. Brain and Cognition, 87(1), 104-108. https://doi.org/10.1016/J.BANDC.2014.03.012

Zeki, S. (1999). Art and the brain. Journal of Consciousness Studies, 6(6-7), 76-96.

Zhang, J., Liu, J., & Xu, Y. (2015). Neural decoding reveals impaired face Configural processing in the right fusiform face area of individuals with developmental prosopagnosia. Journal of Neuroscience, 35(4), 1539-1548. https://doi.org/10.1523/JNEUROSCI.2646-14.2015

Zhao, C., Zhang, D., & Bao, Y. (2018). A time window of 3 s in the aesthetic appreciation of poems. PsyCh Journal, 7(1), 51-52. https://doi.org/10.1002/PCHJ.194

Zhou, B., Pöppel, E., Wang, L., Yang, T., Zaytseva, Y., & Bao, Y. (2016). Seeing without knowing: Operational principles along the early visual pathway. PsyCh Journal, 5(3), 145-160. https://doi.org/10.1002/pchj.141

Najít záznam

Citační ukazatele

Nahrávání dat ...

Možnosti archivace

Nahrávání dat ...